Sneak Peek: Bête Noire

A bit ago, I told you about "Bête Noire," the story I have coming out in Jen Blackmore's Beastly Affair anthology from Circlet Press.

You can read some background on how I came up with the story in the post I linked above. Today, I thought I'd share a quick taste of the story. So here, for your reading enjoyment, are the opening paragraphs!

I. Beautiful, Beastly Revenge

Before we shoot out a window and start killing all the guards in sight, Beauty leans in to kiss me.

I stop her. “You’re making me feel pretty, darling.” I hold up one matted, woolly hand, protract the obsidian claws still dripping blood from what we had to do to get this close to Orlagh’s fancy house. “We can’t risk breaking the curse here.”

“I just thought… This might be our last chance, Bête. If she kills us…”

“She won’t.”

Neither of us is sure of that, but there’s no choice besides pretending. True love and its urges aside, Beauty knows there couldn’t be a worse time for me to return to my former, softer self. She pulls back her face and reaches for my hand instead. Even the brush of her fingers—oily from her gun—makes my heart shiver with sweet visions of who I could become for her. I take my hand away and shove it into my pocket, ignoring her quiet, hurt sigh. We’ll have time to talk this over after we deal with Orlagh.

I force myself to stop contemplating the subtle scent of roses that manages to linger around Beauty even after three saddlesore days of bloodshed, dust, and magic so cut-rate and ragged it could give a person tetanus.

The sound of a footstep makes me press myself flat against the stucco wall in front of us, though we’re well hidden for the moment. Orlagh is the sort of rich asshole who grows a lush formal garden around her desert mansion—whether she has the water shipped or conjured, it’s disgustingly ostentatious—but I do admit some gratitude for the thick blue-and-pink endless-summer hydrangeas currently concealing our position. Still, assuming we got an accurate map of the grounds from the former servant we bribed back in town, we’re kneeling right outside Orlagh’s bedroom window. Her habit of tossing around curses when she’s drunk and horny have made her a lot of enemies, and by all accounts she compensates by hiring vigilant guards.

Beauty and I exchange a glance. Her chest doesn’t move until the footsteps fade away. Then she offers a tentative smile. “I guess we should…” She nods upward.

“No point killing time when we could be killing the enemy,” I agree.

I don't have a release date yet, but I'll give you more information when I've got it!

Coming Soon: A Beastly Affair

Hey friends! I don't think I remembered to tell you that I signed a contract for a story in Jen Blackmore's Beastly Affair, a Beauty and the Beast-themed erotic anthology coming soon from Circlet Press.

I had a really great time writing my story, "Bête Noire." It's set in the Weird West, with a beast who's a former debutante, and a gun-toting, revenge-seeking Beauty.

When I finished the story and looked it over, I saw it had... drifted quite a bit from the fairy tale as told by Disney. That's what you want when writing, of course, because you need to make a story your own. I'm always fascinated by the process, though. To me, each step feels clear and logical, as if I'm just making minor adjustments. Then I hear myself describing the story to someone, and I realize it's radically different, and radical.

Like, why the Weird West? I'm not sure, but it made perfect sense to me at the time. I think I was looking for a time and place in which I thought a curse-giver could be passing through, and I didn't want to do the vague medieval England setting that one falls into so easily.

The key to my version of the story, though, came from research I did into the origins of the fairy tale. One old version of the story holds that the witch curses the Beast in a fit of rage after being sexually denied. It seemed to me like a person who would do that wouldn't only do it once, so I immediately envisioned a wandering sexual harasser, leaving behind a trail of Beast-cursed people. From there, it wasn't hard to imagine Beauty and a Beast teaming up to pursue the curse-giver.

I wanted the story to address the trauma the Beast has gone through. I put into it a lot of the feelings I've had myself in the wake of harassment—in particular, an urge to embrace the idea of ugliness because sometimes I see that as an antidote to vulnerability. I've also often observed that in the wake of trauma, my friends want revenge, and the things I want are much murkier and more complex.

Along with all that psychological and mythological stuff, though, Beauty and the Beast are into blood play, and the scenes I wrote for that are HOT—if I judge by my own reaction to them, anyway. ;)

I'm really looking forward to this book. I love Jen Blackmore's anthologies, both because her concepts are awesome and because she attracts great writers (I'm always honored to be in their company).

If you want to be in her next book, she has a call out right now for Golden Age Erotica (there's a link from here).

And if you want to see what I'm talking about, may I recommend Whispers in Darkness, her excellent anthology of Lovecraftian erotica?